We're an Open Book
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It’s no secret that Holly Black’s Curseworker’s series was a favorite of Books and Sensibility in 2012. The novels tell the story of 17-year-old conman Cassel Sharpe who lives in an alternate universe where people cursed with magic work on the dark side of the law . It’s a great Urban Fantasy, Jess and I have listened to all three audiobooks in the series multiple times and here’s a few lessons we’ve learned from the Curseworker’s Series:
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“You list the dead. You tell the stories of the past. You write about the catastrophes and the massacres. What about the living, Finnikin? Who honors them?”
― Melina Marchetta, Finnikin of the Rock
Synopsis: Finnikin of the Rock and his guardian, Sir Topher, have not been home to their beloved Lumatere for ten years. Not since the dark days when the royal family was murdered and the kingdom put under a terrible curse. But then Finnikin is summoned to meet Evanjalin, a young woman with an incredible claim: the heir to the throne of Lumatere, Prince Balthazar, is alive.
Evanjalin is determined to return home and she is the only one who can lead them to the heir. As they journey together, Finnikin is affected by her arrogance . . . and her hope. He begins to believe he will see his childhood friend, Prince Balthazar, again. And that their cursed people will be able to enter Lumatere and be reunited with those trapped inside. He even believes he will find his imprisoned father.
But Evanjalin is not what she seems. And the truth will test not only Finnikin’s faith in her . . . but in himself
Being an epic fantasy, Finnikin of the Rock is completely outside of the genres I usually read. I had previously seen the blog Sash and Em gushing about this book on Twitter so when I spotted the audiobook at the library I was confident I would enjoy it. The world created in this novel has so much terminology, so let’s hope I get them all right
After the assassination of the royal family and rouge uprising, in an incident known as the Unspeakable the once peaceful kingdom of Lumatere is cursed and locked away. Half the Lumaterens are trapped inside and other half scattered across the neighboring kingdoms to live as exiles; forced to survive fever, refugee camps and the bloody rage of their neighboring kingdoms.
As son of the imprisoned captain of the guard and best friend to murdered Prince Balthazar, Finnikin has always felt a certain responsibility to help lead his people to a place they can call home. Traveling with his guardian Sir Topher, they’ve spent the last 10 years since the Unspeakable trying to find a second Lumatere. When Finnikin awakes from a dream that leads him to a temple and a novice girl named Evanjilin, a new Lumatere is suddenly closer for Finnikin than he ever imagined.
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Synopsis: Lemon grew up with Stella, a single mom who wasn’t exactly maternal. Stella always had a drink in her hand and a new boyfriend every few months, and when things got out of hand, she would whisk Lemon off to a new town for a fresh beginning. Now, just as they are moving yet again, Lemon discovers that she is pregnant from a reckless encounter—with a guy Stella had been flirting with.On the verge of revisiting her mother’s mistakes, Lemon struggles to cope with the idea of herself as a young unmarried mother, as well as the fact that she’s never met her own father. Determined to have at least one big adventure before she has the baby, Lemon sets off on a cross-country road trip, intending not only to meet her father, but to figure out who she wants to be.
Kristen-Paige Madonia just happens to be a Virginia author and I was fortunate enough to meet her at Fountain Bookstore in August. While there, Madonia discussed was how she did not write this book to be a YA, she just wrote a novel with a teenage protagonist and it was decided it would sell best as a YA. I love this idea, because by not being written as a YA, Fingerprints of You avoids a lot of the tropes and cliches associated with the genre.
17-year-old Lemon’s whole life has been her and her mother, Stella, against the world. Living in suitcases and moving every few years, Lemon describes her mother as a
“…restless woman who yanked us from town to town, an impulsive mother bound by bitterness, a woman boarded in by secrets and regrets.”
When Lemon discovers she is pregnant, by a man forgotten in another state, she decides to take a journey of her own. With her friend, Emmy she travels west to San Francisco to find her father and possibly roots of her own.
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Synopsis:Evie’s always thought of herself as a normal teenager, even though she works for the International Paranormal Containment Agency, her ex-boyfriend is a faerie, she’s falling for a shape-shifter, and she’s the only person who can see through paranormals’ glamours.
But Evie’s about to realize that she may very well be at the center of a dark faerie prophecy promising destruction to all paranormal creatures.
So much for normal.
Evie, the heroine ofParanormalcy has spent most of her life working for the International Paranormal Containment Agency, a government
organization chasing after and “bagging and tagging” dangerous Paranormals; using nothing but her skills to see through glamours and her Taser. Evie is painted as your average strong who can fend for herself against some pretty scary creatures
Oh, and she likes pink.
For some reason her preference for a pink taser and pink leather boots seemed to go hand in
hand with Claudia Gray’s “I’m Not Like Other Girls post.
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Synopsis: Eva and Addie started out the same way as everyone else—two souls woven together in one body, taking turns controlling their movements as they learned how to walk, how to sing, how to dance. But as they grew, so did the worried whispers. Why aren’t they settling? Why isn’t one of them fading? The doctors ran tests, the neighbors shied away, and their parents begged for more time. Finally Addie was pronounced healthy and Eva was declared gone. Except, she wasn’t . . .
For the past three years, Eva has clung to the remnants of her life. Only Addie knows she’s still there, trapped inside their body. Then one day, they discover there may be a way for Eva to move again. The risks are unimaginable-hybrids are considered a threat to society, so if they are caught, Addie and Eva will be locked away with the others. And yet . . . for a chance to smile, to twirl, to speak, Eva will do anything
What’s Left of Me by Kat Zhang has to be one of the most hotly anticipated YA novels of 2012. This book has been on Books and Sensibility’s radar since we featured Zhang in our 25 Under 25 feature and the young author does not disappoint with her debut YA novel.
In the world of What’s Left of Me, everyone is born with two souls and in early childhood the dominate soul takes over and the recessive one fades away. It’s completely natural, normal and expected. Only, in the case of Eva and Addie, Eva is a recessive soul that never settles. She refuses to fade away and when doctors declare only Addie to be left, Eva’s exostence becomes a secret only Addie know. Being a hybrid, having two souls is illegal and considered dangerous so the sisters work together to keep their closely guarded secret. But, when Addie meets Halley, the new girl in school the girls learn that they are not the only hiding hybrids, but this knowledge may cost them everything.
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It is freezing in the churchyard, even before the dead arrive.
Every year, Blue Sargent stands next to her clairvoyant mother as the soon-to-be dead walk past. Blue herself never sees them—not until this year, when a boy emerges from the dark and speaks directly to her.
His name is Gansey, and Blue soon discovers that he is a rich student at Aglionby, the local private school. Blue has a policy of staying away from Aglionby boys. Known as Raven Boys, they can only mean trouble
Opening with an Edgar Allen Poe epigraph, I immediately connect The Raven Boys with the Southern Gothic literature movement. Characterized by its broken characters, social realism and fantasy elements I’ve always felt this genre fits perfectly within the YA spectrum. In The Raven Boys, New York Times Bestselling author Maggie Stiefvater has cleverly combined the Southern Gothic tradition with vivid characterization and a modern edge to create a novel that is unlike anything I’ve read this year.
The plot develops nicely throughout novel in an observant third-person point of view. There is a level of maturity and complexity in Stiefvater’s writing. Each word is carefully crafted to form a coherent mood and image.
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